M R. JEREMY DAISH, as I told you many pages back, was remarkably like a Cremona violin. Conceive then this elderly instrument of the Muses making a final inspection of his polished floor, preparatory to the invasion of my lady Bunbutter's red-heeled rout.
[2] I went into Daish's Rooms the other day, for they still exist as the storehouse of a prosperous ironmonger who is not above unbending at Christmas time so far as to display a variety of choice knick-knacks wrought by the Curtain Wells Amateur Copper-Beaters' Association. The famous frieze carved by an Italian immigrant still exists, and makes a suitable background for the exhibition of patent mouse-traps. Among all the brass gongs and Japanese flower-pots, above the mowing machines and oil-stoves of varied price and power I was pleased to detect the old iron hooks whence long ago hung the gilt mirrors that held the unimpaired reflections of this gay history's characters. For a moment, amid the bleak utility of the stores, I half fancied the swish of a broidered petticoat and the whisper of a painted fan, smelt Eau de Chypre and heard the Minuet in Ariadne . I shall not visit Daish's Rooms again; the ghosts have too much power to wring my heart with the tears and laughter of spent joys.
"It's a very inconvenient store-room," said the dapper manager, "I think Mr. Bugloss intends to pull it down next year."